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Monday, 17 June 2013

Meet Laura Nash

Laura Nash is the designer behind Sew Chic Patterns. Remember Fifth Avenue? Well Beatrice is in the pipeline. No occasion to wear Beatrice to as yet, but I'll find one.

Meet* Laura

What do you love about sewing?
Good question! I love sewing for the creativity it provides. It gives all of us the ability to combine color, style, and silhouette in a way that is flattering. I also love sewing because it's a technical skill.

Sewing is both a science and an art, so it seems to me that everyone can enjoy sewing at some level.

Do you come from a long line of sewers/pattern drafters/crafters?
I have a cousin that is a professional artist, so does that count? My grandmother and mother both sewed but did not enjoy it at the same level that I do. I think they both sewed out of necessity, not for the enjoyment of it. I have an aunt that still sews, but for the most part my extended family isn't heavily into the arts.

What does a work day look like for you?
The day always starts by responding to email and processing orders. The middle of the day is spent on whatever need has the highest priority or the shortest deadline. It could be updating the website, making progress on a new or established design, printing more stock, preparing or planning for an event or class, ordering or sourcing supplies, going on a photo shoot, checking a vendors work...the list is long! At the end of the usual work day I make a trip to the post office to mail the orders. It's a chance for me to get out and see the sky. Then back to work until bedtime. Nights and weekends I work on the extras like blogging and mailing list updates.

How long have you wanted to start a pattern line?
It was the dull fashion of the 1990's that set in motion a determination to go to college for apparel design with the thought that perhaps eventually I could start a pattern line. I was going to ensure that at least I would never again be the prisoner of dull fashion again!

How did you choose your pattern company name?
The first 3 patterns were originally issued under the name of "Nostalgic Pattern Co." I chose the name because of the historic nature of my aesthetic. My family warned me it was a bad name, but I didn't believe them. After a year or so, I hired a friend to create a new logo, but first I had to come with a new name. I knew that I wanted the word "sew" in it. Wanting to help, my friend sent me a brainstorm list of about 20 name combinations and Sew Chic was at the top. I was worried that "Chic" would give me trouble knowing that many people wouldn't know how to say it or spell it, but I liked it enough to start working on a logo idea right away. The next day I sent her the graphic and asked her opinion of it. She said it was perfect!
Because the project was over as quick as it started, she never charge me for it.

What inspires you?
Shape, form, repetition, harmony, color, modesty, kindness, eloquence, honesty, character, quality, sharing, gratitude, light, cheerfulness.

Do you have a mentor?
I do try to watch and learn and glean wisdom from people where ever I go, whomever I interact with, and from the books that I read. I very much admire and love to study the works of the past fashion designers such as Madeline Vionnet. She shunned the label "designer" and always called herself a dressmaker. Highly inventive designers like Charles James and Cristóbal Balenciaga where masters of shape in the clothing arts. No one designs like that anymore.

What challenges have you had with your pattern line?
Most problems are logistical. It's difficult to source quality vendors and raw materials. The internet helps, but networking is better.

Do you have a 5 year goal in mind?
Within 5 years I hope to have many patterns in every category of women's wear. I also want to do patterns for men. Children's wear is less of a priority because there are already many independent companies doing childrens clothing. I will continue to teach at sewing expos, attending 2 shows a year- fall and spring. I will also be teaching video classes.

What advice would you give others who are thinking of starting their own pattern line?
If there was one thing that would guarantee success, I would tell them to do their prep work and go to college! Having ideas and being able to sew and draw a little is not enough. This job is so much more, and to do this without an education is starting with a huge handicap. When I started school, I would have called myself an expert seamstress, but it would not have been enough. Besides discovering my talent for design, I learned so much more, and I'm still learning! I cannot even imagine starting any other way, and credit much of my success to the fact that I got an education first.
--

Laura Nash
Owner
Designer
Instructor
Sew Chic Pattern Company
Mail:595 Dampier Dr.
Philomath OR 97370
Phone: 541-929-9000
Toll Free: 866-623-9052
www.SewChicPatterns.com
*1. all opinions are the interviewee's own.
2. this blog post is not sponsored and has been published for people to know the maker better, understand the ins and outs of pattern making biz from one person's personal journey.
3. all images are copyright of their original owners and used with permission for the purposes of discussion and illustration www.SewChicPatterns.com

Monday, 10 June 2013

Meet Mari Miller

This year I've done a bit of pattern testing for a few new pattern lines for nix and I've enjoyed pattern testing to help out new comers. This has given me a few new things to sew.

Sometimes I'm making the garment using just the pattern without instructions but I get to work with the pattern designers themselves. We usually 'speak' via email and most pattern designers work in different countries and timezones but that just adds to the fun of pattern testing.
Mari Miller is the lady behind the Avocado hoodie I've made for Mr V and myself.
Meet* Mari...
What do you love about sewing?
So many things!
I love how calm yet exciting the process is. Of course, having fun things that fit will is a great incentive too. I've always been drawn to tactile things, so working with great feeling materials and wearing them just plain makes me happy. I need to work with my hands and sewing is a wonderfully sensuous way to do that, between the feel of a crisp linen or buttery soft silk to seeing solid colors that pop and fun prints.
Do you come from a long line of sewers/pattern drafters/crafters?



Yes and no.
Both my grandmas knew good, basic crafting skills. You had to in order to live through the Depression. However, those skills weren't really passed down to my parents' generation. And I never saw either of my grandmas or my mother sew. Although, my one grandma did try to teach me how to knit when I was in grammar school, but I didn't take to it until I was much older. It's a shame she didn't teach me how to crochet though- even after she had gone blind she could crochet flawless lace doilies. I want to be that skilled!
What does a work day look like for you?
It depends.
On days when I go to my paying job I get to downtown Chicago by 9am and do the usual grind (as a legal assistant) until 5pm, at which point I go home and sew or spend some quality time on the computer doing all the behind the scenes work for the company. On my "free" days I get up and spend my time sewing up muslins, working away on that computer again, or filming a short video for a tutorial.
How long have you wanted to start a pattern line?
Around under a year, although I've been dreaming up fashion designs since I was a little girl.



What made you decide to set up a pattern line?
Depression.
I graduated while the economy was taking a nose dive so I ended up with some really awful jobs, the kind where you're treated like a machine, your boss literally throws their dirty tissues on your coat (although I don't think she did it on purpose), you're encouraged to under-perform and there's absolutely no possibility of advancement. After a few people I cared for died, I knew I couldn't keep living like I was. It was time to start making my own opportunities and living the life I wanted. I had dreamed of owning my own business for years, but never before had it seemed so important to stop putting that dream off. Ever since I was a little girl I had loved to sew; it was the one constant thing that never changed, so starting a sewing-centric business seemed the natural choice.



How did you choose your pattern company name?
It was the name of my blog, because when I started it I wanted to talk about whatever caught my fancy, be it sewing, science, art and architecture, or chocolate. Before that, for my undergrad degree, I had gone to an art school that encouraged students to study many different, or disparate if you will, disciplines. Working to bring together many different media and modes of working is my favorite way to live and to create things.




It also seemed to describe the lives of a lot of people I knew - they weren't just moms or dads, judges, data entry temps (as I had been), or business owners - they took on many disparate roles in their lives. How long ago was it that you couldn't be both a school teacher and a wife or a bank clerk and a photographer? People nowadays seem to be doing more and more different things all at once, yet they don't always have exciting wardrobes to accompany all their needs. You can get up, put on the same boring suit or office casual attire, go out to dinner with friends in that same clothing, get home, toss on some pajamas or yoga clothing, then go to the grocery store or running the next day in the same kind of yoga attire. For a lot of the people I know, their closets are made up almost entirely of clothing for just those two ends of the spectrum: work attire and lounge wear. I think that's why a lot of us look into our closets and groan that there's nothing to wear- we're bored with it all!
There's something special that happens when you put on a garment you've sewn that doesn't fall squarely into either of those categories. That's what Disparate Disciplines Sewing Patterns is about, making clothing for those other occasions in your life. Sure, the patterns can work in more "wardrobes" than just the ones they were designed for, but they're about sewing with things in mind outside of just work and the grocery store. It's about creating a wardrobe that encompasses all the disparate roles you take on instead of just making pretty dresses or just making work clothing. There's nothing wrong with solely doing either, but creating a well-rounded wardrobe can be a big confidence booster.



What inspires you?
Many things: people on the street, nature, TV and movies, the list goes on. For instance, with the Avocado Hoodie I was inspired to solve a problem: cold hands while walking with my arms around my boyfriend. That's also why I included details like the thumb opening and overlapping hood- you need that extra protection when you live in the northern climes! As for making the cuff start above the wrist, that was inspired by seeing a longer cuff on a knit sweater during my morning commute. That way the beginning of the cuffs could also line up with the beginning of the hem band, a detail I hadn't seen on other patterns. Sometimes the inspiration comes from another kind of practicality, like using up scraps of fabric. That's how the original draft of the wrap skirt started.



Do you have a mentor?
I have a few friends off of whom I bounce ideas and ask for advice.



What challenges have you had with your pattern line?
Managing people's expectations. I've learned that some people project their hopes and expectations onto the patterns. They want your pattern to match their exact lifestyle and get upset when it doesn't, but you can't be everything to everyone. That's why there are so many different indie pattern companies, we're all catering to a different fashion sense and lifestyle.
As for logistics and day-to-day work challenges, it's always the little things!
From the post office, to computer problems, people getting sick and so on. A lot of small problems add up to larger ones. But one of my favorite challenges has been learning how to use new software. It's incredibly time consuming and often frustrating to make the instructions, yet I've really enjoyed expanding my skills to learn how to use vector based graphic design programs (think Photoshop without pixels), as well as video and sound editing programs.
What does your pattern line offer to the sewing community?
My pattern line offers modern designs with details not seen in many sewing patterns. There are great companies out there that do a modern look with a more loose silhouette and less defined waist, like Grainline Studios. Other companies produce excellent basics, like Sewaholic. Companies like Colette produce really pretty dresses.




Disparate Disciplines helps you create a special, wearable wardrobe that works for all parts of life, from those days you need to lay around the house but still want to feel a little fashionable to times when you need that pretty dress. It's about creating patterns that fill all the gaps in your wardrobe.



Designs focus on interesting seaming and construction, while staying feminine and comfortable. Waists are more defined in modern cuts that sometimes give a nod to the past. It's not about appealing to both vintage and modern lovers, but about appreciating fashion's past while looking to the future. This can be seen best in the 1401 pattern which can be made as a dress or a top. The silhouette was based on 60's sheath dresses but the seaming details are more modern.



Do you have a 5 year goal in mind?
My main goal is to create a business that modestly sustains me, so I can stop working in a cubicle while also fostering a growing online community full of people who sew things that make them happy.
What advice would you give others who are thinking of starting their own pattern line?
Honestly assess your skills, strengths and weaknesses. I knew I wouldn't be able to make a website or take photos up to the standards to which I aspired, so I decided to work with people who do those things well. That was also why I hired a pattern maker. I could draft and grade the patterns myself, but would they be as good as a trained professional with a computer program that can match seams up to tiny fractions of an inch? I've got a bit of a perfectionist in me, so how many hours would I need to dedicate to drafting "perfect" patterns that fit a range of figures, continually re-doing my work and worrying to death that things weren't up to snuff? Could my time be better spent doing other things?




Keep in mind that starting a business, not just pattern drafting and sample sewing, takes tons and tons of time. The amount of time you put in will make the difference between a fun hobby shop on Etsy that takes the edge off your fabric addiction and a serious store like Colette patterns. You can set up a blog in five minutes, but setting up a store takes a lot longer. There are so many things that don't readily come to mind when you're initially fantasizeing about your new venture: you need to register your business, educate yourself on sales tax, import all that tax info into your online store, etc. The list really goes on and on. These time consuming and often tedious details add up to a more polished online presence. So think about how much effort you can put into the business and try to judge if that time will realistically help you meet your goals, whether they're making pocket change or being as big as McCall's.




Also, read "The Entrepreneur’s Guide to Sewn Product Manufacturing" by Kathleen Fasanella. Having been published in 1998, it is a little out of date; it also talks about manufacturing a line of clothing instead of creating sewing patterns. However, it offers a wealth of helpful knowledge, from things like how to hire a pattern maker to the importance of style numbers and a bit of grading theory.



Mari Miller
*
1. all opinions are the interviewee's own.
2. this blog post is not sponsored and has been published for people to know the maker better, understand the ins and outs of pattern making biz from one person's personal journey.
3. all images are copyright of their original owners and used with permission for the purposes of discussion and illustration disparatedisciplines.com

Thursday, 6 June 2013

Plum tights

Road testing gymwear can reveal shortcomings of a make before your wear it as planned. Having cold ankles while testing these plum tights made it quiet clear they were way too short - even for me.
The first version was made with two-way stretch knit so the length was part of the stretch.
This plum version has one-way stretch with a soft inside for warmth.

This fabric is the same as the fabric I've used in the v-neck top above. I won't be wearing these pieces together. It will look too matchy-matchy.
Like the orange zippers? Another stash piece used - yay! That's the 7cm band I added to keep my ankles warm.
The fit on my hips, waist and legs worked but not the capri length  To add the ankle band, I unpicked and resewed in the zipper.
Love it when I can match the top stitching at the seams. You can clearly see the back centre seam is longer than the front centre seam. The waist band was sewn on with the elastic in it. No elastic casing insertion required. The top stitching on the seaming is coverstitched.

Lesson to self
Keep the tights shorter for two-way stretch knit. Add length for one-way stretch knits.
I do have a rad knit print waiting for a running pair. Hi Melissa.

Monday, 3 June 2013

After dark hoodie

Well it didn't take long to make this up on a Sunday afternoon. Below's the day version.
This day version has been keeping me warm when I'm at the gym in the morning. I keep this on when I'm doing my warm up. That doesn't take long at the moment.
I'm wearing this with my leather skirt made from a $20 leather jacket.
This is a size 4 and not a size 6.
This body of this version is lined with a fine rayon knit from the stash. Yes Renata, the rayon knit lining was from that Pitt Trading remnant bin again. The burnt velour was from The Remnant Warehouse.

The front panels were cut as 1 piece so the front panel has no horizontal line. The side panels were left as two pieces.


The sleeves and body are shorter by 2cm.
The hem band is slimmer. If I make it again, I'll leave the hem band off. But the hem band will stay on for a casual gym hoodie.
Sway back adjustment
The hood was cut down and now it's a soft collar. It's no more than 15cm wide.
I originally made the hood 10cm wide/long and then I added another 5 cm before I cut the fabric.
There are no pockets on this version and I've still included the sleeveband thumb opening.

I've now worn it out to dinner on a cold Saturday night and while we had a very late one, this was quiet appropriate to wear to a huge dinner with friends and their families.

PS: Thank you for the comments on my gym wear. I do wear my gym wear to the gym so while the top and tights are classed as lounge wear, they don't get much lounging.

Friday, 31 May 2013

MMM final post

Today's a glorious autumn day for the last day of Me-Made May 2013 (red theme).

These poles located outside the main stadium have all the names of the volunteers who made the 2000 Sydney Olympics possible. I'm standing near my name listing.

My three me-mades are:
Silk blouse: Vogue 8118
Skirt: McCalls 8972 This link takes you to the red slub version.
Jacket: Simplicity 4698 also worn on Day 22.
Here is my set of MMM13 and the photography goes from mediocre to not that bad.

So that's it for this year's Me-Made May collection. Over 400 people participated this time so keeping up with everyone was the toughest part. Zo has run this again and done so well. The Friday themes organised by Claudine have been fun.

Meeting everyone in person especially the Perth meetup with CarolynS, Penny and Jenny as well as everyone online has been the best part of this challenge.

Thursday, 30 May 2013

Head to toe

Winter is coming... I love Game of Thrones! So to keep my little legs warm leggings using a pattern McCalls 6404 View D aimed at non-gym activities worked wonders. Then came the top Kwik Sew 3567.

Toe
The legging uses a stash of navy cotton/spandex from the Remnant Warehouse and 2 green zippers from zipper stop. 
After reading the reviews on PR, I cut the small size. So depending on the fabric, I'll make extra small next time. Flattering sizing for this shortie! I orginally took 2.5cm off the leg length at the ankle. After the initial fitting, I took off an additional 7cm off the length.
Now for the tushy adjustment...
I've deepened the back crotch curve and after the initial fitting, the centre back now has a very small yolk. The pattern now as a longer centre back seam (4cm) now and and a sway back adjustment (3cm). 
I've used a straight stitch for construction and cover stitched the seam stitching. Other reviewers said they should have used a wider elastic, so I used a 32mm wide elastic in the waistband. That worked a dream. As did marking the top of the leggings to the top of my unmentionables. That also worked well because it was just me and the mirror working on the fit of these leggings. Let's move on...

Head
Then I had to have a long sleeve top - didn't I?
Using Kwik Sew 3567 View B with a V-neckline and fabric from my favourite local fabric place MyHung, sold me the last of the purple roll to make this top (and more longs later). We haggled a bit - just for the fun of it.
I can safely say tracing out the small size and sewing this top took 3 hours. 6mm seam allowances are wonderful using a simple straight stitch for the seams and coverstitched hems. This little number was great the next morning at the gym.
At the end of the class, no glistening markings and fleshy bits showed and the class was hard but worthwhile.

Here's today's work wear outfit. Me made dress Simplicity 8914 and me made cardi. And the light fog lifted too.

Wednesday, 29 May 2013

Almost there


We have mild winters but it does get cold here. This is the Brickpit Ring Walk at Sydney Olympic Park.
I'm wearing Me-made knit top from my pre blogging days and mustard skinny jeans Vogue 2014.
Here's the archery area at Sydney Olympic Park and I'm channelling Wonder Woman.
Me-made navy wrap Simplicity 2603 and me-made knit dress Vogue 8379.

I made this little black dress Butterick 5314  when I was a larger size so I've used a belt.
The Jalie 2921 scarf top was made last year and I've crossed the scarf tie and knotted it behind my neck. I'm at Sydney Olympic Park again but it's foggy. Who said Winter is coming?

These dark brown boots are all of $20 and it's taken me a long time to wear them because they have lots of detailing but I'll be wearing them a lot this winter.
This was the first pic I took so you could see how thick the fog was. That's one of the light towers along the Olympic Boulevard (coming out of my head) and you can't see the row of light towers behind it. That's how foggy it was.

So the next day with lots more fog, I decided it was time to play with the exposure adjustments on my camera and this shows what I'm wearing better and you can still see how foggy it was.
This is a purple ponte dress Butterick 5676 I made last year and one of the first stretch woven shirts in taupe I made in my pre-blogging days. I love wearing my blue suede boots.
Two more MMM13 days to go...

Thank you for the comments on my hoodie. I'll show you the smart casual version next and I'm working on a pair of longs for the gym. They won't be as rad as Melissa's but they'll still fit well.

BTW, I only meant to tire myself out with the car tyre reference but I thought this did give you an idea of what we get up to at the gym in the morning. We're a tight-knit group of crazies.

Monday, 27 May 2013

Avocado women's hoodie

The cold hit last week and I had to wear my 70s/80s tracksuit top at the 6am outdoor class. The sleeves billow a bit so the women's Avocado seemed like a good option to try next.  The sleeves got in the way of the car tyres we hold while running up the grass hill.
I made the 6 but I'll make the 4 next and shorten the sleeves and body.
Mari gave me this pattern as a thank you for testing the mens hoodie. This all-over fabric was from the Remnant Warehouse and since it's white on the wrong side, I've lined the hoodie with a Pitt Trading Remnant.

Renata, this remnant piece was from that elusive Pitt Trading remnant bin.
I've done a 2cm rolled shoulder adjustment and sway back adjustment.
This hoodie pattern has all 4 pockets so I kept them on this versioin to see how the pattern detailing worked for this women's style. Clear elastic is used to keep the pockets from bagging out of shape. Clever.
Thumb opening on sleeve
I thought you might want a closer looks a the thumb opening feature of this hoodie. Now that we've got our cold weather, this is a very timely feature.

The thumb opening is placed 5cm or 6cm forward of the sleeve join. And the sleeve band is very wide so there's no sleeve pulls. Clever little pattern piece.

Fabric
This fabric is a synthetic masquarading as a wool and it has drape but no elasticity so the elastic used at the pocket will keep the shape of this hoodie for a few seasons.
I thought I'd add this photo taken when Sharon and I were at sewing.
This version has now been worn at the gym and was ideal in warmth and length. It didn't get in the way of holding car tyres either. Gym cover up tops need to be long enough to cover the tushy and this hoodie fits the bill. Mission accomplished.

Beajay mentioned that I'm going to play with this pattern to make a smart casual version for end of the day drinkies. I'll show you that next in size 4 using a stretch knit.

I have to say that working with Beajay to get her jacket pattern to fit was a good learning experience for both of us and a bit scary. I've read alot about making adjustments and Carolyn has got her TNT patterns sorted so the 'rubber hits the road' when making these adjustments for a real person and not just on paper.

Amanda's FBA method for sizes above an E cup was a revelation to both of us. Thanks Amanda.

Then Rebecca and JudieL helped me sort out my own bra making test garment  I had another go at getting Kwik Sew 3300. I think I'm one step away from making my first bra. Yay. I'm not expecting much so I shouldn't be disappointed with my first few makes. Yay.
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